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5 Places to Talk in Your Show: Stage Banter

Working on the music, the visual, and most of the transitions for a show usually takes up most of a rehearsal time.

So when I first started working with artists on their live show, and we’d get to places where the front man needed to introduce the band, tell a story, do a song intro or verbal transition, I’d go along with them when they said, “I’ll talk here,” or “I’ll put something together here.” I didn’t want to waste potentially good rehearsal time on something all of us do every day: talk.

Then I saw those artists onstage.

I found out pretty quickly, talking doesn’t come naturally to many people when they’re standing onstage. In fact, people often revert to clichés we’ve heard a millions times from other bad front people: “This song talks about,” “here’s a little tune I wrote,” “are you having a good time yet” “we’re gonna slow it down a little bit” — or my favorite cover band banter, “we’re gonna do a little Led Zeppelin.” (I want them to do a big Led Zeppelin — why is it always “little?”)

Sometimes you go to a show and the artist rambles on and on about how he wrote the song, when he wrote the song, where he wrote the song, and what’s going on in the world today. It’s more of a political State of the Union address than a musical artist. I want to stand up and scream, “just play the freaking song already!”

On the other extreme, some artists say “my music speaks for itself.” They barely say two words to the audience in a 60 minute show, and you don’t know any more about them when they leave the stage than when they first got on the stage.

Don’t misunderstand – there’s nothing wrong with telling a story to set up a song; or playing songs back to back without saying a word. But when speaking from the stage, there are actually some concepts you can learn to keep an audience engaged.

First, you need to know you aren’t trying to accomplish the same thing every time you speak during a show. Let me give you a few examples of why you often need to talk:

1) Introductions: There are two places I recommend introducing the band. A short, quick intro after the 1st or 2nd song to let them know who you are; and later, near the end of the show, after you’ve won the right to ask for applause, a more in-depth introduction of everyone.

2) Transitions: Just as there are musical transitions, there are verbal transitions. Most of them are short, and these transitions simply help keep the momentum going in the show.

3) Setting up a Song: I work with many artists to set up a song or two in their show with storytelling – what prompted the writing, what it means to them, and so on. A compelling story will help an audience connect emotionally to certain songs.

4) Audience Participation: Audiences like to be a part of your show. There is actually a very effective technique to this. I wish I could go into depth, but it is more complicated than one blog allows! So let me give you a tip on how not to do it. Don’t mumble something into the mic, then hold the mic out to the audience, and expect everyone in the room to join in. Your instructions need to be understood!

5) Pitching Merch: Again, this needs to be after you’ve won the right to ask your audience to buy something. Hopefully, because your show is so awesome, you’ve given them a reason why they should buy – now, you tell them how and where to get it. Be clear. Not “salesy” – but clear.

These are just a few of the most common places artists need to speak to their audience – certainly by no means all of them! But ask yourself as you prepare — is this a quick transition, am I setting up a song with a story, am I introducing the band here, trying to inspire people — what am I trying to do verbally?

It’s like a meal. Even if you’re a gifted cook, you still probably wouldn’t cook a 5-course meal every night. One night you cook a 5-course meal for friends and family because you have the time and are trying to accomplish an atmosphere conducive to relaxing, talking, entertaining (storytelling).

The next night you only have an hour between work and going out to see a play. You don’t cook a 5-course meal. You just get a fast food meal pickup (transition).

Maybe you are meeting people for the first time. You might meet them for coffee or a quick lunch just to introduce yourself (introduction).

Or you’re hosting a beach party, so you start a big bonfire and barbecue hot dogs and hamburgers, fill ice chests with cold drinks, and the focus is on the fun not the food (audience participation).

That’s the way it needs to be with talking to your audience. Know why you’re talking, when it’s appropriate to do it, and what you’re trying to accomplish. If you have the gift of gab it would be wrong to serve your audience a 5-course meal every song. But even if speaking makes you nervous, you can’t let everyone go hungry!

Either way, recognize what you are trying to accomplish, work it out, woodshed it, and bring it to rehearsal. Verbal communication between human beings is an important part of life… and your show. So whether you have the gift of gab or not, it’s important to develop those verbal skills onstage, which can go a long way towards keeping your audience captivated.

I’ll be talking about these skills in my upcoming Singer/Songwriter Performance Workshop in Nashville on April 21st.  You’ll find more information here…

Tom Jackson

Tom is uniquely talented and skilled at transforming an artist's live show into a magical experience for the audience; helping artists at every level create a live show that is engaging and memorable, teaching them to exceed their audiences' expectations and to create fans for life. Tom has taught indie and major artists of every genre. He has worked with Taylor Swift, Le Crae, Home Free, The Tenors, Shawn Mendes, The Band Perry, Francesca Battistelli, Jars of Clay, & many more. Tom also teaches at colleges, conferences and events worldwide.

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Greenroom Comments

  1. Dana Russell says:

    As a gospel singer who often sings at multi artist events, there is one line I hear over and over from artists that makes me cringe. And I have heard it at local benefits from folk who’s mama told them they could sing all the way up to artists with a big bus that travel 40 or more weeks a year.

    And that line is “Don’t listen to how I sing this, listen to the message in the words”

    I always think, if you don’t think you’re good enough to be singing that song without an apology, why in the world are you on that stage.

  2. Yeah, I don’t want dead time during a set. it can be a fine line between talking too much and too little. it should definitely sound authentic. I put cues on my setlist page to help. it usually works. #3, I would keep brief though especially if you’re playing a rock “Show”. I don’t want to be giving an interview during the performance, but some connection is fine.

  3. I love your analogies. Very helpful! See ya in April 21. Can’t wait!

  4. Tony Meade says:

    I don’t usually do covers, but if I ever do a Led Zeppelin song, I’m totally stealing your line…

    “We’re not going to do a little Led Zeppelin, We’re going to do a big Led Zeppelin! 1-2-3-4!”


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