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Onstage Success - Tom Jacksons Live Music Method
Onstage with Live Music Producer Tom Jackson
Tom is uniquely talented and skilled at transforming an artist's live show into a magical experience for the audience; helping artists at every level create a live show that is engaging and memorable, teaching them to exceed their audiences' expectations and to create fans for life. Tom has taught indie and major artists of every genre. He has worked with Taylor Swift, Le Crae, Home Free, The Tenors, Shawn Mendes, The Band Perry, Francesca Battistelli, Jars of Clay, & many more. Tom also teaches at colleges, conferences and events worldwide.
I went to a show at the arena here in town to see someone I’d worked with – … [Read More...]
When explaining how to create a unique show, I always offer the analogy of … [Read More...]
We all know by this time in our lives, the importance of doing things in … [Read More...]
I went to a show at the arena here in town to see someone I’d worked with – … [Read More...]
When explaining how to create a unique show, I always offer the analogy of … [Read More...]
We all know by this time in our lives, the importance of doing things in … [Read More...]
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Got the book (actually…it’s time to reread!) Went to bootcamp, got some videos. This stuff is so powerful. I’m using the principles over and over again. (As a performer, as a director of a men’s choir, as a coach). Just finished a huge show with the choir where I’d used your song flow chart…last song-hey they’re standing up to applaud-it was the PLANNED climax of the program. Have used your basic principles of movement, but need to develop a “language” that is honest and authentic. Short of a coaching session with your crew (on the wish list!) video seems really helpful-OH, is that what that looks like? Don’t ever do THAT again! LOL. Thanks for sharing the wisdom.
It tooks some years to find “a voice” for my voice, but when it did the show started coming into play. I agree, it’s not just about the music, but how it’s presented and that includes how and where you sing on stage!
Hi Tom,
Saw your Band Makeover in Chicago and we had a quick funny chat after .
Also bought your book.
Quick tale:
When we met I was seven weeks into a long dreamed of solo tour .
I had left a band that I had started because of one person alcohol issues.
And because club management was snacking performance style.
I came back to Honolulu . The aforementioned band mate went in a trip.
I stepped back in as front man. Having carefully read the section on set structure I crafted
three sets. I also suggested that one of the players cease standing forward if the band the whole time
and step forward on the most dramatic solos.
Hard for her but the effect was palpable.
The combination was awesome.
the audience was going wild AND spending money AND rippling.
The band had the most fun they had had in months .
There is more, but I just wanted you to know it meant a lot to me.
Now figuring out how to apply your insights to my solo show
All the best.
If you are ever in Honolulu, be glad to extend the Aloha.
James B ‘McCarthy
I literally had THIS CONVERSATION with bandmates last night! Ha!
I don’t want us to just “go out and play” – I want us to be rock-solid. How do I get them onboard?