There is a mindset that we Live Music Producers have to combat when it comes to educating musicians on the importance of a good live show.
It’s basically the belief that they must be musically perfect. Every note correct, every lick and scale stellar, every voice flawless. And so the artist must stand still with correct posture, or sit down, or stare at their instrument to achieve this “perfect” performance.
Well, I have news for these artists.
Best show I have seen was Queensryche. The visual experience with laser lights was epic. People stood up for the encore, which was the best encore I’ve ever seen. December 15, 1991 Long Beach Arena nearly 30 years ago.
Sounds great David! What was it about their performance (aside from the light show) that stood out and how was their crowd engagement?
I went to a Garth Brooks concert once and it was the most incredible show I had ever seen. We were there 4 or 5 hours! He swung from a rope at one point from one side of the stage up over the audience and back over the audience on the other side. He was all over the platform. It wasn’t just that we knew his music, married to Garth as Tom says, but he truly entertained and engaged us. He surprised us and just seemed to have boundless energy. Especially knowing this was his 5th concert in a row in Orlando, all sold out and all with the same intensity as I had heard co-workers talking about the shows on previous nights.
On a personal note, I find it most challenging in small churches to move and engage. There is no place to go save maybe a step or two back or to the side. Any tips for those situations? Or maybe you could do an article on “engaging in a box”. Thanks!
Yes, Garth is a master at engaging an audience for sure! Artists can learn a lot from him. Keeping that kind of energy up for 3-4 hours every night isn’t easy. In answer to your question, we have lots of blogs on performing in small venues. Here’s one for starters: https://onstagesuccess.com/2011/09/small-stage-big-responsibility/ Do a Backstage search for ‘small stage’ as well at top right of this page.
Great to hear from you!
I used to LOVE going to see the Jonas Brothers concerts when they were still together. I watched them go from small, disengaged crowds to completely selling out the Dallas cowboys stadium in just a few years time. I remember one show I saw them play when they were singing their ballad called “Hello Beautiful” and halfway through the song, each of them started to rise into the air on a platform while they were singing. They rose all the way to the top, about 50 feet in the air and completely stopped the song. Everyone in the crowd just lost their minds. I’ll probably never forget that show or any of the shows I saw them perform because they always put their heart and soul into every performance no matter if it was 70 people or 70,000 people. I will never be the Jonas Brothers, but I am confident that I will someday soon be able to put on shows that will touch people’s lives the way I was touched by the Jonas Brothers.
Kathryn, many many artists may never reach that level, but you CAN create moments that will bring even a small coffeehouse crowd to tears…or to their feet! Thanks for sharing your Jonas Bros story 🙂
Amy,
This topic resonates with me completly. I played a festival this summer. Due in part to several last minute band personel changes some songs went better than others. Near the end of our 45 minute set, I played a jazz R&B song with my outstanding soloist. There seemed to be a quietness over the audience. After the set, I critiqued my set, citing my perception of how it went, and my concern over the seemingly sudden quietness of the audience. My son’s response was amazing. He said that when that song was performed, everyone in the audience and vicinity stopped to listen. They didn’t want to miss a moment of the performance. He said it was special and memorable.
I think this is what your talking about. Thanks for the awesome insights. I will be gleening as much as possible.
EXACTLY what I’m talking about Tom! If you remembered to video your show (as everyone should to keep learning and growing) you will probably see what your son and the rest of the crowd expereinced. Way to go!
Oh I believe it. That buy-in for what has been conducted during a show and has drawn people in with impression. I’ve seen a bazillion artists over the years and still do, but certain concerts stand out for one reason or another particularly the ones that blew me away because I was impressed AND surprised but what I saw.
I saw the band Disciple a few years ago and it was truly life changing. I don’t really remember any lights or displays they had. They did have them, they just paled in comparison to the band. The band was extremely talented and connected with the audience on such an emotional level that I broke down in tears several times. They were so passionate about what they were saying that it just energized everyone. I saw them again recently and experienced the exact same emotions. They are utterly fantastic.
Seeing the passion an artist has for what they’re doing/saying is huge.Makes you want to get on board, no question! Just goes to show you that the lights, etc., are just icing on the cake. So if your show ‘tastes like cardboard’, then all the audience is getting is just unfulfilling calories. Sweet and pretty but no substance underneath. Thanks Rachel!
This is such a timely thing to read, and well said it is too. Recently in some workshops Ive attended, many tremendous professional jazz musicians have lamented that “live jazz is dying”, and that “people don’t come out see live jazz anymore”.
Ive given this matter a lot of thought, and what is written here is spot on. It has given me some ideas with which to put forward, about creating “shows” rather than just “live jazz”, because I think (largely based on what Ive got from material here) that people want to come and *see* something and have an experience, not just watch a bunch of (talented) musos bang away with their instruments. It needs to be more. More entertaining, more perceived value for money, and maybe blended with comedy or other things as part of an overall package.
Thats my thoughts 😉
Yes Hamish, people come to shows to experience something…to make a connection with the artist. Meeting that expectation takes a lot more than just ‘playing the songs well’. It IS time the jazz community pays attention to this. As a matter of fact I’ve recently been talking with an instrumental jazz group in New York that realizes this and wants to ‘up’ their game. Thanks for your comments!
I still remember seeing Eric Carmen lead off for the band I came to see, America, back in 1974. I never became an Eric Carmen fan for the music, but his show was incredible. He was swinging around poles while singing, and connecting with the whole audience on a very emotional level. As much as I wanted to be bored, I could not, and I still remember that concert to this day. America? The band I came to see? They just sang their songs as if the record was playing. They got 20 songs in (I remember counting) but 2 minute songs were still 2 minute songs. Nothing new. I still loved the records but the concert was not inviting, other than them being my favorite band at the time.
Thanks for sharing this Jim. Sounds like Eric made the most of that opening slot and came to impress…AND probably walked away with lots of new fans! America gets away with it because they were married to their audience. BUT, I’m guessing once many of their fans saw the live ‘show’, they didn’t bother buying a ticket to see them again since there was really nothing to see.
I’ve seen later shows, after Dan Peek left (sad to say) but they got better. I felt more energy and interaction and all in the couple I saw much later. Again, my favorite band so I needed to try again, but so glad I did. That first impression of the live show left me wanting