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ReverbNation Nominating “Artists on the Verge” for New Music Seminar

ReverbNation is nominating artists for the New Music Seminar 2012 “Top 100 Artists on the Verge” chart! If you are a member of ReverbNation, you can submit artist names through this link…

Every year, New Music Seminar (NMS) hand crafts this chart to promote artists who are already picking up steam, helping them break through the noise and get the national recognition they deserve. Many of the artists chosen for the chart will perform at the 2012 NMS New York Music Festival, June 17th-21st.

One of the speakers/panelists for NMS, Tom Jackson always looks forward to being a part of the Artist on the Verge reviews. As Tom says, “The New Music Seminar is ‘one-of-a-kind,’ with panelists who really know their stuff! And the artists who attend are serious about what they do.”

NMS delegates will choose the winning artist on the last day of the conference. In addition to the unparalleled exposure, the winning band gets more than $200,000 in marketing, promotion, music equipment and consultations from some of the top industry leaders.

NMS’s mission to create a music business in which artists can rise to their highest potential based solely on merit, “fits perfectly with ours here at Reverb — artist first,” said Mike Doernberg, ReverbNation CEO and a panelist at the Seminar in New York. “That’s why we’re delighted to be a part of both the Seminar and Artists on the Verge.”

Submit to be nominated here…

Tom Jackson

Tom is uniquely talented and skilled at transforming an artist's live show into a magical experience for the audience; helping artists at every level create a live show that is engaging and memorable, teaching them to exceed their audiences' expectations and to create fans for life. Tom has taught indie and major artists of every genre. He has worked with Taylor Swift, Le Crae, Home Free, The Tenors, Shawn Mendes, The Band Perry, Francesca Battistelli, Jars of Clay, & many more. Tom also teaches at colleges, conferences and events worldwide.

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